Beauty and the Beast, On Screen and On Stage

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Sounds perfect Wahhhh, I don’t wanna
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Up in Smoke - Oneshot

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When Pere Robert returns from the servants’ quarters, they all rise to their feet. They all want answers, but judging by the grim look that hasn’t left the pastor’s face, they aren’t good ones.

It had started just last night, not even a day ago.  One moment, Mrs. Potts had left Lumiere and Plumette in their quarters to serve the master his afternoon tea, and when she had come back, Plumette was on the floor, pale and shaking, with Lumiere kneeling over her, anxious, near panicking when she didn’t respond.  Mrs. Potts had immediately sent for help—she kept her head, thank heaven, Adam thinks—and by the time Pere Robert had arrived, Lumiere was barely conscious and looking just as bad, if not worse.  Still desperately trying to find out what was wrong with Plumette.

Pere Robert had ordered them all out.  Every resident of the castle had to get as far away from the servants’ quarters as possible.  

“Whatever illness they’ve contracted is contagious,” he had said.  “They need to be quarantined immediately.”  And then he had drawn a doctor’s mask from his bag.  


“Well?” asks Cogsworth gruffly.  “How long will it take?”

Pere Robert just looks at him.  His dark eyes hold something that almost looks like grief.  He shakes his head.

And Belle hides hers, unshed tears in her eyes.  Cogsworth stands there, still waiting for a positive answer.  Chapeau and Mrs. Potts look like they have just been struck over their heads.  But Adam strides forward, coming so close to the priest that he has to put up a hand to prevent the prince from touching him (“I might have it too now, you can never tell,” he says calmly, despite his demeanor).

“Is there nothing we can do to help?” Adam asked, his voice low and full of emotion.

Pere Robert’s only answer to that was “Pray.”  And then he left.  And here they sat, in the gardens, trying to accept that there was nothing that could be done.

Cogsworth remembers when Plumette barely knew the layout of the castle.  She had only been there a couple weeks, yet she was quick and efficient with her job, and as she became familiar with the staff and the queen, her confidence became the most notable thing about her.  And how she would smile when he complimented her work!  She may not know it, but he is proud of her.  He loves her as he would a daughter.  And Lumiere…he will never say this out loud to him, but Cogsworth respects him.  When Lumiere first came to the castle, he was nothing short of the best footman they had ever hired.  As time wore on, yes, he became a little too confident for Cogsworth’s liking.  And yet. He would often catch Lumiere lounging around, but the tables would be set, the menu prepared, and Cuisinier hard at work making a meal that Cogsworth didn’t even have to give orders for.  It is an honor to serve beside him.  He has said it once before; he is fully prepared to say it again.

Chapeau and Plumette had arrived at the castle around the same time, one a few days apart from the other.  They learned the ways of service together, even helped each other out where they needed it.  Within a few days they had become friends, and when Lumiere came along, Chapeau had never seen Plumette happier.  Lumiere’s optimism quickly became contagious; there would be secret gatherings at night, parties with food and drinks, smiles and laughter after a long day’s work.  It was during those moments that Lumiere suggested he play his violin for everyone—“What’s a party without music, mon ami?”—and his talents quickly became a staple at those gatherings.  Lumiere fit in with them so well that it felt like he had always been there.  To imagine his life without them is near impossible.  It’s because of them that he feels like a part of a second family.

Mrs. Potts feels as if she is losing two of her children.  Before Chip was born, she cared for Plumette like she would a daughter, and Lumiere was Plumette’s perfect match, she had seen it before they did.  She made sure to be there when they were having trouble, and they listened to her.  During the curse, it was her mission to make sure that everyone had faith and kept their hopes up.  No matter who they were, Mrs. Potts did that for everyone in the castle, not just Chip, but there were days when she found that she was feeling pessimistic, longing for her days in the sun.  The two of them went out of their way to cheer her up on more than one occasion.  And now…it was too soon. It was just too soon.

They all look up at the same time, share the same determined glance with one another, rise to their feet.  They have all escaped death once before.  If medicine won’t work, then magic will.  It’s time to make a visit.

Belle stands up as well; she has no doubt been affected by them too.  It was Lumiere who first made her feel welcome in the castle, helped her adjust to the strange ways of the curse.  She and Plumette became fast friends; they had conversations in the East Wing about all sorts of things, and when the curse was broken, Plumette taught her about makeup and dresses.  They were her family just as much as they were family to the other staff members.  Without a word they depart from the gardens, leaving Adam alone.


Adam couldn’t remember a time without Lumiere and Plumette in his life.  Even in his earliest memories, their presence is front and center.

Lumiere would put little shows on for him when no one was looking.  Whether it was with books or shadows on the wall, he always enjoyed the stories that the man made up for him.  And Plumette always made sure that the library was spotless so he and his mother could spend time away from his father’s watchful eye.  He was even more grateful for them during the curse.  Lumiere always kept a steady flame, spoke words that were not full of resentment towards him, but positive encouragement.

And Plumette was never afraid to give him advice about Belle, when he was willing to listen.  

They are two of the best servants—and friends—that he could ever want, or need. Without them, the curse would still control the castle. He and Belle wouldn’t be married now.  He would be alone.  


It’s hours before they come back, but they come back with excited murmurings and hopeful voices.  Agathe’s given them some kind of root; they claim it’s from a plant that grew when a drop of sunlight fell to the earth.

They waste no time after that.  Mrs. Potts mixes the root into a drink, and sends Chapeau to the servants’ quarters with it.  He comes back after a few minutes, and they ask him how the two are faring.

He says nothing, but it’s written clearly on his face: not well.

Not one person in the castle sleeps that night.


The next morning, everyone is up before sunrise.  Against Pere Robert’s orders, they all head down to the servants’ quarters, their hearts pounding anxiously.  But only Adam has the courage to actually open the door. All of the candles have gone out and the room is quiet—a bit too quiet for his liking.  Adam takes the candelabra that Chapeau offers and steps inside, tentatively.  

“Lumiere? Plumette?” he calls softly.

No answer.  He raises the light higher and sees two figures on the bed, still, unmoving.  He comes closer, horrible thoughts running through his mind, but he relaxes when he sees the slight moving of their shoulders.  Not dead, just asleep.  Not dead.

He sighs, calmer now, and turns around to give them more time to rest.  He is almost to the door before he hears a slight rustling, and turns back around. They’re waking up.

“Oh my god…” Adam rushes to Lumiere’s side, and hears the others follow after him. “Are you alright?  How do you feel?”

“You look pale, maitre,” he says weakly, his old smile back on his face.  “I fear you may be coming down with something.”

Mrs. Potts bursts into tears.  Cogsworth leans against the wall, his hand grasping at his cane.  Chapeau smiles and Belle laughs, and Adam nearly faints from the relief of it all.  


prompt from @lumiereswig

batbobsession

An oldie, but one heck of a goodie.

batbfics I still feel Adam's relief at the end my gosh batb2017 lumiere plumette
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It has been a long while, but something happened yesterday that made me RUN (not walk) to this account again, and I just want to SEE everyone and TALK again about this wonderful story, and just...how is everyone? @lumiereswig? @naturepointstheway? @tinydooms? Squad? Everyone? Please tell me you're all still here! I miss you!

lumiereswig

I’m here! I missed you! Message me!

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#pssst write more fics????#I’m joking no pressure. (I am not I am deadly serious and sweating a little bit)

With the fic idea I’ve just had (forgive me if I’m a little slow), you might be a little hesitant, because it’s sad….

blueeyes2005 asked:

Heyy,how are youu🥺 eversince i read since 3 years your fanfictions i just wanted to tell u that i’m SO amazed of you! Batb is since 6 years my favorite movie of all time <3 i always wanted to text with someone where i can talk with, my and their opnions and like..what the love about the movie and just share our interests and thoughts about what this movie just means for us🥺(i’m really sorry for my bad english..😓)

@blueeyes2005 If you’re still here, and still willing to talk, thank you so very much. It still hits me, and it still means a lot. Message me whenever, and we can talk about BatB all you want!

blueeyes2005 batb2017 batb 1991

It has been a long while, but something happened yesterday that made me RUN (not walk) to this account again, and I just want to SEE everyone and TALK again about this wonderful story, and just…how is everyone? @lumiereswig? @naturepointstheway? @tinydooms? Squad? Everyone? Please tell me you’re all still here! I miss you!

batb2017 beauty and the beast batbsquad I'm back! I don't know for how long but I missed everyone!

Getting older is…

Ever had one of those moments where you watch a movie in your youth, and that movie defines a part of you, and you love it, and it’s a standalone masterpiece, and then you eventually grow up, lay it aside, see other movies, and then come back to it and realize that it has one of the most stacked casts you’ve ever seen?

For example, I love The Prince of Egypt. Love. But no one thought to tell me that Ralph Fiennes wasn’t the only famous person in that movie. To me that already made sense, that Voldemort played Rameses. Classic villain.

But Michelle Pfieffer and Sandra Bullock as Tzipporah and Miriam?

Val Kilmer as Moses?

Jeff Goldblum played Aaron?

SIR PATRICK FLIPPING STEWART played the Pharaoh?

Man, I was thinking oh, this is a movie that I’ll never be able to connect other movies to, and here we have superspies, superheroes, and a man who fights dinosaurs for a living in the cast.

That’s what getting older means. Glad I cracked the code.

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You Don’t Need a Weapon to Save Yourself.

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You know, something just occurred to me.  Disney has done amazing things to create women who can totally defend themselves.  You’ve got Rapunzel, who has multiple uses for her hair (each one more resourceful and ridiculous than the last) and a frying pan to knock even the hardest of heads into unconsciousness.  Then there’s Merida, who can defend herself with both a sword and a bow, and Elsa, who has freaking ice powers.  And if you mess with Moana, you’ve got to answer to the entire ocean.

Now, I love each and every one of these characters for the beautiful, amazing, and strong characters that they are.  The problem is this: people are saying that it’s only recently that Disney has started to create strong women like this. 

Um, no.

Since when did you need a weapon or some super powers to be strong?

Since when did using your words or refusing to run away not count towards standing tall and being strong?  Since when did an open mind make someone unable to defend themselves?  Since when did breaking a curse without even raising a hand to someone put them in the “weak” area?

If you haven’t figured it out by now, then yeah.  I’m talking about Belle.

This girl, to me, is the epitome of the princess saving herself.  In fact, she’s the one that does all the saving, whether it’s her life or someone else’s: 

  • She sacrifices herself for her father, therefore saving his life from the clutches of the Beast.
  • Her will never wavers, not once, during her stay at the castle.
  • She tries to escape by running away, and actually gets a good ways away before the wolves find her.
  • Sure, she gets saved by the Beast, but she’s the one to escort him back to the castle–he would have died out there in the cold, believe me.
  • She does not hesitate to give the Beast a piece of her mind after rescuing him from the storm.  And eventually, he relents.  This monster that couldn’t take no for an answer concedes to her, because she catches him so off guard with her sharp responses and smart replies.
  • She breaks the curse.  Even better, she breaks the curse without knowing there’s a curse to begin with.
  • And most importantly, she does this all by herself.

Here’s the thing: Belle is a princess, sure, but she was never really the one in trouble.  The ones in trouble were the residents of the castle, including the Beast.  And–aside from the wolves–the Beast never had to step in and defend her.  Even during the fight with Gaston, the Beast didn’t shoot down any of Gaston’s remarks about Belle because he had lost what made him strong: the hope that she loved him back–for real, not just because the curse demanded it.  All it took was for the Beast to see her, to hear her call out to him, and he was back in the game.  

And she never defended herself and her loved ones with anything more than what came out of her mouth.  She was a strong character because of her quick thinking and sharp wit–and to be honest, that’s a lot more admirable than being proficient with a sword or having ice powers (don’t quote me on that–those things are wicked awesome too).

Disney has had strong female characters since 1991, and earlier.

So stop a minute, take out some of your old Disney classics, and find the heroines you grew up with without even knowing it.

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I love going back on my old posts and realizing I went off sometimes! Ah, I’d like that vigor back, please.

BatB Song This or That

Prologue (1991) or Aria (2017)?

Belle (1991) or Belle (2017)?

No Matter What (musical) or How Does a Moment Last Forever (2017)?

Gaston (1991) or Gaston (2017)?

Be Our Guest (1991) or Be Our Guest (2017)?

Human Again (1991) or Days in the Sun (2017)?

Something There (1991) or Something There (2017)?

If I Can’t Love Her (musical) or Evermore (2017)?

The Mob Song (1991) or The Mob Song (2017)?

Beauty and the Beast (1991) or Beauty and the Beast (2017)?

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wakeupspring asked:

Other reasons the servant's fading was just so extra: Cogsworth spent his last moment selflessly admitting that he's loved working with Lumiere. Lumiere had to get out one last flourish, and the flame went out with him. Mrs. Pott's & Chip's faded frantically searching for each other not knowing if the other was alive Chapeau spent his last moment saving Chip Garderobe & Cadenza had JUST reunited, and then faded from each other. It was devastating, but amazing filmmaking

batbobsession answered:

And you know what else this post brought to my attention?  How SELFLESS they all were.  Not one of them spent their last moments thinking of themselves.  When Mrs. Potts admitted that she and the other servants did nothing to ease the young prince’s pain after the queen died, I’m pretty sure we were supposed to think of the servants as selfish.  

I can’t imagine that.  Not while watching the fading scene.

  • Plumette didn’t start to panic; she spent the last of her strength caressing Lumiere’s face, his chest, almost as if she was telling him not to worry.
  • Garderobe praised her husband for his bravery in the fight.
  • Cadenza didn’t care that he was practically choking on his own words; he tried to play something for Garderobe before he faded completely.
  • Mrs. Potts rolled in yelling for her son, hoping that she’d get to see him and comfort him one last time.
  • Chip’s last word was “Mum.”
  • Chapeau was probably half-gone by that time, but he didn’t fade away quietly and unnoticed; he saved Chip even though he was just a teacup when he caught him and placed him next to his mother.
  • Cogsworth, who frequently was annoyed by Lumiere’s constant antics in the past, confessed that it was an honor serving by his side.  He could barely speak, but he did it anyway.
  • And Lumiere, who knew that he was the only living member left, said right back that the honor was his.  To a clock.  He knew full well that Cogsworth couldn’t hear him, yet he chose to say it anyway instead of worry about himself.  It needed to be said, and in his mind, he was probably still talking to his good friend.

These are not the servants that turned a blind eye to young Adam’s suffering when he needed them most.  These are servants that loved each other more than they loved themselves.  Mrs. Potts even says in the novelization to Adam that they all love him very much.  They benefited from the curse as much as Adam did.  And it was all conveyed in this scene. 

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The servants learned, too.

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BatB 30 Day Challenge

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22. What was your reaction to the first official trailer (and the trailers that followed)?

I think I told this story in another post, but I don’t mind telling it again; it’s actually pretty funny.

The first official trailer (this one) came to me in the form of a YouTube ad.  And you all know how infuriating those can be, when you just want to watch your freaking video and get on with the rest of your life. And believe me, I skipped it like three times.  But I know that sometimes, if you just watch the ad, it’ll go away for a few videos.  So on the fourth time I just folded my arms and let it play.  This is probably an accurate representation of my emotional range during the first ten seconds of this trailer:

  • Trailer: *dark night, flying over trees*
  • Me: “Great, probably some kind of horror movie.”
  • Trailer: *first view of the castle*
  • Me: “Huh…Renaissance something?”
  • Trailer: *first three notes of the prologue music*
  • Me: (huge gasp of realization) “OH MY GOD!  OH MY GOD!”
  • Trailer: *reaches the end*
  • Me: (literally sobbing my eyes out, pins and needles on my face and arms, completely forgot what video I was watching to begin with, etc.)

Yeah.  Let’s be grateful I was home alone.

My reaction to the final trailer is on YouTube somewhere, so feel free to go and look for it.  

Essentially, any footage, trailer, or tv spot will get me excited all over again.  I can’t wait a week for this.

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I did, in fact, forget what video I clicked on in the first place.

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batbobsession:
“WoodenHis fingers move rhythmically across the keys.
He’s not really thinking, just conjuring up a tune. He was at his harpsichord, the moonlight was streaming through the windows, but he can’t seem to get his mind to work the way he...
batbobsession

Wooden

His fingers move rhythmically across the keys.

He’s not really thinking, just conjuring up a tune.  He was at his harpsichord, the moonlight was streaming through the windows, but he can’t seem to get his mind to work the way he wants it to.

“Why such a mournful song, darling?”

He doesn’t turn when he hears her voice, yet he feels her arms wrap around his shoulders all the same.  He smiles, a laugh at the tip of his tongue, but says nothing, only continues to play.  He doesn’t feel a connection between himself and the instrument, for some strange reason.  It doesn’t seem alive this time.  The notes are so flat, the sound so…wooden.  Yet still he plays.  He’s a composer, after all.  Music is in his blood.

“I admit I don’t know,” he finally replies.  “It’s been such a long time since we’ve performed for anyone…though I feel like it was just yesterday we were invited to France by the young prince…”

“Strange,” she says.  Her voice hangs around him, like a warm caress.

“Strange,” he agrees.  “Even stranger is this spell I’m going through.  I’ve never had moments like these since…well, ever since I met you.”

He remembers those years of his, struggling to find a muse, struggling to find a reason to keep playing.  He couldn’t put any feeling into his pieces.  To him, they had been noise; wooden keys and strings echoing notes he couldn’t hear.

“The moon is out, amore,” she says.  She’s like wind on a sunny day.  “The night is calling.  Won’t you add your music to its sweet song?”

“What for?” he asks.

“For you,” she says, and she rubs his shoulders.  “How long has it been since you have played for yourself?”

“I don’t matter,” he says, and this time there is surprise in his tone.  He goes to turn around.  “I’ve always played for you—”

“You do matter,” she soothes, easing him back towards the instrument.  “Just this once, Maestro.  I want to hear you play.”

Me?  He raises his hands a bit, and the noise dissipates.  His hands find the keys, and this time it feels different.  His surroundings as quiet and pristine in the moonlight as it has been for countless nights.

Me, he thinks, and press down on the keys, testing them, weighing their importance.  All right.

The tune that springs from his hands to the harpsichord is light, almost playful.  The notes are short and sweet, and he thinks of sunlight, spring, flowers blooming across the Venetian countryside. The architecture, the people, the simple, enjoyable way of living. Dancing.  Away from the curtains and the applause. When it’s only he and his…wait. Who?  Who is he with?

The caress on his cheek, the voice in his ear, the breeze through the windows—suddenly, they’re gone.

How long have they been gone?

And his fingers don’t dance anymore; they run.

Frantic.  Dark halls and empty rooms.  

His brow furrows as he begins to focus a little more on the notes. Wasn’t he just talking with someone? Or had that been his imagination?

It was just moments ago.  Or…had it been years?

Time stretches and twists around him; he struggles to catch up, his fingers slamming into the keys, searching, panicking, demanding too much of the instrument.  His spring vision, his sunlight, his smile…it’s all turned into clamor, fear, panic.  He’s alone. He’s not supposed to be alone.  He’s missing something, something so terribly important, but what?  

Perhaps if he keeps playing, it’ll come back.  But the notes are all wrong, they’re becoming noise again, wooden, empty, no, no, n o

Somewhere, a string snaps.  He feels it. But it doesn’t hurt.

His hands fly so fast across the keyboard that soon he can’t see them, feel them, not anymore.  His seat has run off somewhere, possibly to chase birds in the gardens. A low roar rumbles through the halls, the broken, buried halls, and he fades, quiet now, but still playing, still searching, as candles dance with feathers and clocks worry about order and teacups glide on saucers and coattracks play strings like lullabies in the night and his keys clatter like chains and shackles—

Just an old harpsichord, chasing after a whisper from an open window.

batbobsession

Based off of Beethoven’s Moonlight Sonata. The one time I succeeded in writing a nightmare.

batb2017 cadenza garderenza
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Nocturne - A BatB 2017 Oneshot

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A beast sleeps in a pile of old tapestries, feathers, and animal remains, curled up like a child trying to hide.  His dreams are not pleasant, but they are not exactly fearful, either.  He floats in a world of grey light and muted voices.  One second the sky flashes gold with a woman’s gentle laugh, then blackens with the crack of a palm against a boy’s face. There is a cold, merciless light condemning him for his sins, and then a sweet darkness that doesn’t let him see what he has become. Past and present, light and shadow, they keep him tossing and turning in the night.

A clock teeters on the edge of asleep and awake on a bed that is a dozen sizes too big for him.  He’s lulled by the ticking in his head, but he fights to stay awake, worried about what the next day might bring.  He is worried about far too many things, all of which are out of his control.  They have two weeks left at best, and they weren’t even close to finding a solution to their predicament.  And during the daytime the castle is fraught with disobedience—he can always trace the source back to one certain candelabra, though, and his patience has already been worn thin as is.  At least here, in his quarters, he has a few hours of quiet.

On the other side of the castle, however, a teacup sleeps peacefully under the cover of a thick napkin.  His dreams are full of sunshine and happiness as he runs through the streets of a village, watching his father as he sets out the newly polished cups and saucers, the ceramics gleaming against the sunrise.  The teacup smiles in his sleep, and his breath carries with it the slightest hint of laughter.  A teapot watches over him with love in her eyes, and she is content, thinking of brighter days, sweet whisperings of sentiment in the night, hugs and kisses and ruffling her husband’s and son’s scraggly hair when they make her smile.

Higher up, in the turrets and towers of the castle, a harpsichord plays a sweet and alluring nocturne, his longing evident in every note.  Though his melody echoes throughout the tower, his music—like his heart, his soul—only belongs to one person, and he’s not entirely sure she can hear him.  The staircase gets narrower as it climbs higher; he cannot even see the entrance to where his love resides, alone and most likely afraid.  He has not seen her in years, and rarely has he heard her sing…though those might have been in dreams…it’s been getting harder, separating dreams from reality.  But he won’t let it get to him.  He may forget everything about the castle, the other servants, even his own life, but he will never forget about her.

Only a short walk away—for a human, that is—a wardrobe sings an aria.  It is low and mournful in tone, but she sings anyway; she, like her husband, pours herself into every note, hoping that she reaches him.  She knows not where he is, only that he misses her dearly. That is what the servants have been saying, and she is the same. It’s almost like she can hear him now, and she adds a little more volume to her voice in reply.  It has been so long since they have performed together; she fears that perhaps they may never do it again.

Moonlight shines through a window into a small room, empty save for the coat-rack by the window.  He runs a bow across the strings of a violin, his melody not alluring, nor mournful, but…observant.  Careful.  Unique.  He doesn’t know what the others are doing at this hour, but he’s awake and capturing the air around him: the moon, the castle, even the silence has a place in his movement.  He has many ways of making expressions out of the quiet, after all.

A candelabra and a feather-duster dance in the ballroom together, with no music to guide them but the tune in their hearts.  His feet echo slightly on the floor, her tail sweeps around them both.  She floats, stirs the air, and he grounds her, holds her close, afraid she’ll fly away and fade from his sight. He tries to keep his fire as far from her as possible, yet still holds her in an embrace that speaks volumes.  And she, as graceful as she is beautiful, clings to him; she is so light, so fragile, so fearful of what is to come.  Were they in different forms, perhaps it would be easier to express how they felt towards one another.  But their time is close upon them, and no hope has surfaced yet.

And a few hours away, past a hungry pack of wolves howling at the moon, a young girl dreams of a windmill nestled in the outskirts of Paris.  A song plays from a music box somewhere in the house, and she smiles, holding fast to its familiar tune.  Her father would take it away tomorrow—he was an artist, after all—some of his works were not for them to keep.  The song will stay with her all the same; it will point her to answers she has been chasing since she was a little girl.  She craves adventure, this one, and though she knows not that she’ll get what she’s after, the answer will come…and sooner rather than later.

batbobsession

This is a favorite of many–myself included! I love intricate inner monologue/aesthetic/descriptive stuff like this.